What would you do to be allowed to design a Mobility car?
This was the Cristina Gallizia answer gave for the Watson-Young competition: “Fill a car with meals, food and tampons and distribute it all to homeless people” – and that was what won her the most votes. Together with Lars Kläger, Chief Commerce Officer of Mobility, she headed off to Gassencafé Sunestube run by the charity organisation Sozialwerk Pfarrer Sieber in Zurich on 4 December. In the boot of the freshly designed ID.3: lots of Christmas bags filled with toiletries and food.
Share your experience of the art car
Gigga Hug and Cristina Gallizia wanted to create a brightly coloured, cheerful car where the speed at which the car moves has an effect on the colours. What happens when colour meets speed?
Find out for yourself: experience your personal mobility art moment in the unique ID.3. Would you like to receive a CHF 20 drive credit for your next Mobility adventure? If so, share a photo of your art car experience on Instagram using the hashtag #mymobilitymoment with the label @mobility_carsharing. We can’t wait to hear all about it.
You can book by phone on 0848 824 812. When placing your reservation by telephone, please quote the number ZH 202089 (8 centimes/minute on a landline).
Mobility x Art stations
| December 2021 / January 2022: | Zurich Europaallee |
| February 2022: | Zurich Stolzestrasse |
| March 2022: | Uster railway station |
| April 2022: | Lucerne railway station |
| May 2022: | Brugg railway station |
| June 2022: | Aarau railway station |
| July 2022: | Bern railway station |
| August 2022: | Geneva Cornavin railway station |
| September 2022: | Lausanne Montbenon |
| October 2022: | Basel railway station SBB (Parkhaus Bahnhof SĂĽd) |
| November 2022: | St. Gallen railway station (Appenzell Railways) |
| December 2022: | Wil (SG) railway station |
| January 2023: | Wil (SG) railway station |
Subject to change without notice.
About the artist: Gigga Hug
Brush strokes on paper become the stuff of dreams through digital processing. These multi-coloured works have an almost fabric-like texture which emerges thread by thread. At the same time, a powerful three-dimensional effect draws the viewer deep into the image. With trance-like certainty, Gigga Hug always determines the end point of the artistic process – precisely the point at which analogue painting is transformed into digital art. (Copy: Tina Uhlmann)